![]() ![]() This pattern also occurs when the shadow from the nose is cast down onto the face, but unlike with Rembrandt lighting, it never completes that closed triangle of light by meeting up with the shadow on the cheek. You can also bring in a fill light if the card doesn’t do the trick. If the shadows on the far side of the face are too dark, use a fill card to flatten it out until it’s to your liking. ![]() Regardless of your light source (natural or artificial), you’ll want to make sure it’s heavily diffused, as in the case of a softbox or window curtains.Īs you might have guessed from its name, this type of lighting results in dramatic, moody portraits. Don’t be afraid to use natural window light, either just remember to block off part of the window if it’s on the longer side, since all the light needs to come from above your subject.
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